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Cpx24.com CPM Program

Beautiful People. Beautiful Things. (Segment 2)

Tuesday, November 29, 2011

GREETINGS, READERS! I apologize for not posting last week; but for now, it's time for the second part of what I call "Beautiful People. Beautiful Things.", in which I post ten pictures that somewhat inspire me.

Hope Solo - Photo by Annie Leibovitz
Linda Celeste Sims, from the Alvin Ailey American Dance Theater,  in Matthew Rushing's "Uptown" - Photo by Paul Kolnik


Linda Celeste Sims and Glenn Allen Sims, from the Alvin Ailey American Dance Theater, in Alvin Ailey's "The River" - Photo by Lois Greenfield

Dr. Martin Luther King, Jr.

Sean Caarmon, from the Alvin Ailey American Dance Theater, in "Loves Tories" - Photo by Jirka Jansch


Students from the Ailey School; Professional Division - Photo by Kyle Froman

Students from the Ailey School; Professional Division - Photo by Kyle Froman

The company of Alvin Ailey American Dance Theater in Alvin Ailey's "Revelations" - Photo by Christopher Duggan
I'm in love with dancers.

By the way, HOW WAS YOUR THANKSGIVING? Let me know!

Until next time...











Photos: No copyright infringement intended.

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Bear Creek Music and Art Festival 2011 Spirit Of The Suwannee Music Park Live Oak, FL

Thursday, November 17, 2011

I am supposed to be on a writing hiatus of sorts, but after recovering some of my brain capacity following this weekend, I felt obligated to put down something about what transpired in Live Oak.

Design by Ariane B. Davis
The fallout of a gargantuan music event such as the Bear Creek Music & Art Festival would be nearly impossible to articulate into a comprehensive review for this writer. The sheer amount of world class talent and deep top-to-bottom scheduling literally makes for a whirlwind experience that requires sacrificing an ear for an ear and gambling on the greater of two greats. That is all before the artist start randomly collaborating and playing statement sets like the hump date 11.11.11 may be an actual end of the world party. For me, this event was made even more blissfully chaotic because it is a home state event that literally claims the weekend for a majority of the cult of music fanatics I run with these days. With that being said, a decision to offer up a top five type scenario is about as much as I could do while I continue to let my endorphins, neurons and ear drums recover from over forty-five hours of music in two days and three nights. Call it a cop out, but it's all I got for you.

1. Medeski, Martin & Wood
My (un)healthy obsession with the best funk-fusion trio ever put me in front of the Purple Hat Stage for my 52nd chance to catch the boys from New York City. Anticipation and a certain measure of angst coupled with giddy excitement. It had been a long stretch since my last time sharing time and space with John, Billy and Chris. This was partly on purpose due to my last show with them being the last music experience I shared with a good friend that was slain in the school shooting at my alma mater Virginia Tech. As if knowing exactly what transmissions my neurons might need, the set took the form of a retro throw back approach with my favored selections from my favorite of their albums. The mind bender mutated into ridiculous collaborations with power players like Will Bernard and Stanton Moore. It really does not get much better than that.  Ok, yes it does, how about a ridiculously jammed out "Where's The Music" with Pee Wee Ellis.  

2. Medeski, Scofield, Martin & Wood
How do you turn perfection into something better? Try adding in a guitar demi-god. How do you make perfection with a deity even better? Bring out one of the best lap steel guitar players in the business for an epic version of the eerie anthem "Hanuman." It helps that this is one of my favorite tracks ever put forth by the trio, but in the context of the infamous Big IV Amphitheater Stage, as the night enveloped the music park, the quintet truly hit some ethereal levels of bliss.


3. Trey Anastasio Band
My affinity for all things Phish place this set as a default must-see, but in the past I have not been entirely overwhelmed by Trey's solo efforts. The supporting members are extraordinary, that is for sure, but the material doesn't always hold up through the lens of comparisons to the Vermont jam legends. All of that went straight out the window from note one, and the full two hours and thirty minutes from Trey and the crew were nothing but a feel good dance party with more high lights than I could count. Above and beyond all other moments was a perfectly executed "Simple Twist Up Dave." My cohorts and I silently raged as a homage to our friend David that passed away days previous to that night. He was the ultimate Phish fan and the harmonious scents, sounds and setting at that particular moment was a much needed therapeutic outlet. One of the many reasons we all love Mr. Anastasio.


4. Papadosio
The talk of the town in the festival circuit sphere for those inclined to live electronic music, these guys have earned every bit of success coming their way. All summer they slayed the big events, even having a clutch spot at AllGood Music Festival, and the feedback was overwhelmingly good from that point on. I made the six hour drive up on Thursday solely to catch a late night P-dose set in the SOS Music Hall with my pals from Virginia. I then woke up early the next "morning" to catch their day set. In truth the approach seemed inverted with a more laid back, experimental take on the late night show, and then a all-out high energy face melter during the day. I posit that the 11.11.11 date was grounds for a statement set on Friday afternoon that didn't take into account anything other than playing one of the best shows I have heard from the Ohio kids. 


5. Anders Osborne Trio
Beyond the obvious shredding capacity that Osborne has been proving over and over to me the past year, this festival performance seemed to have a much fuller feeling than before. It may be a case of set and setting, as is the reality with anything that happens at The Spirit of Suwannee Music Park, but even his staple tunes like "Cortez The Killer" seemed to go deeper and heavier into the void. The push over the edge was a sit in with George Porter of the Funky Meters that turned into an epic cover of "Sugaree" with Stanton Moore of Galactic (and a million other bands) on the drums. Jaw replacement surgery would have been necessary if only we could have found our faces.

I could go on and on and this is just the tip of the iceberg, but those that were there already know, and those that weren't should make sure they are there next year to find out.

Honorable Mentions: The New Mastersounds, Soulive, Dr. Klaw, Big Gigantic, Dopapod and Michael Menert.

A huge special thanks to Adam, Mark and Steve at Cheesehead Productions, and Taper Steve, for archiving this special moment in music history.  

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How To Hold a Conversation

Wednesday, November 16, 2011

Have you ever had those times when you're in the middle, maybe even the beginning, of a conversation with someone (a stranger, an acquaintance, a person you haven't seen in years), and you know that the conversation is going to end poorly rather soon? You try to think of something, anything that would help save the conversation from the flames.

Whomp. You couldn't do it, and the conversation awkwardly ends with a weirdly premature "See you around.", "Well, it was nice talking to you.", or "Okay. Goodbye."

Better yet, before you say one of those phrases above, you pretend to have a phone call, or you make up a story about how you have to be somewhere.

Well, HAVE NO FEAR! You can now stop lying to people about your engagements or meetings that don't exist. You can have a full and decent conversation before you excuse yourself. The search for questions or phrases to liven a dying conversation is over!

You simply have to let me, the Master Communicator, be your guide to a vibrant conversation. Follow me.


Element One: CONFIDENCE
No one wants to talk with someone who lacks confidence. I've talked to those kind of people. It's not fun. At all. It's awkward for both people engaged in the conversation. Insecurity in yourself has the potential to bring about insecurity in the person you're conversing with. Save yourself and the other person the trouble. Be confident! There's a 99% chance that you're awesome, so act like it!

Don't be overconfident or cocky though. That's a huge turn-off. You mustn't brag on yourself or anything. That's just too much. You don't understand how much I loathe talking with egocentric, egotistical, arrogant, self-absorbed people. Yes, that's pretty redundant. Simply avoid being one of those people.

There's a difference between being conceited and being confident. I beg you to choose the latter. Get it? Okay. Moving on...

Element Two: ASK QUESTIONS
It's good to ask questions. It's the equivalent of giving someone an essay prompt...kind of.

You should try to do more than simply asking the same question that was just asked of you. Don't know what I mean? Here are two examples:
"What's your major?"
"Vocal pedagogy. You?"
"Biology."

"Where are you from?"
"San Diego. You?"
"Colorado."

Sure, these questions are fine in the beginning, but if all you're saying is "You?", that's boring and shows a lack of creativity. I'm not going to give you a list of questions to ask, because that is still stifling your creativity. But, you could ask about personal interests, sports, family, school, or work even. Make your own list of questions. Memorize it. Use it when you need to.

IMPORTANT: Avoid asking questions that are too personal. That's rude. Questions like "How many sex partners have you had?" or "How much do you weigh?" are definitely NOT topics meant to be discussed with strangers or acquaintances. Got it? Good.

Element Three: CREATE A COMFORTABLE ATMOSPHERE
Monitoring how you're effecting the person you're conversing with is very important. Observe the body language! Arms folded across the chest translates as "I'm not relaxed." Standing to the side, having the body turned slightly away from you translates as "I'm trying to escape." Scanning the surrounding area also means "I'm trying to escape."
Ways to keep the comfortable atmosphere: Don't stand/sit too close, and don't touch. Also, like I stated in Element Two, choose appropriate conversation topics. If you have a weird laugh, and you laugh a lot at things that aren't funny, handle that. Create an artificial laugh if it's that serious, and don't laugh too much. That could be weird.
Apologize if you already made the atmosphere uncomfortable, and try to give yourself a second chance if it's not too late.

Element Four: LISTEN
If you do otherwise, that's beyond rude. Something cool or interesting could be said or a question may be asked of you, and you may miss it simply because you're not listening. You happen to be in the conversation with a person. The least you can do is be respectful by listening. Make eye contact, too. That ensures that you're listening.

Are you with me so far?


Element Five: KNOW HOW TO HANDLE SILENCE
Many people are uncomfortable with silence in a conversation. Unfortunately, that leads to someone stammering, trying to fill the silence with something interesting. But it's okay to have silence sometimes. Perhaps you or person with whom you're conversing is thinking of a response to your question. Perhaps it's time to end the conversation. Don't panic. If you're thinking, it's okay to slip the occasional "umm" in there, but if you're trying to fill the silence with "Ummm. Sooo. Yeah." That's not gonna work.

Random! Sometimes when I'm fumbling for something to say, I say "So, how's the weather?" Sure, that's such cliché ice-breaker, but then I talk about why it's such a cliché ice-breaker. Sooner or later, we're back on a good conversational path. That's just me.

All right. NEXT!

Element Six: DON'T OVERDO IT
Chances are, no acquaintance or stranger wants to know about how your cat threw up all over your ramen noodle soup. Chances are, no acquaintance or stranger wants to know how you got your biggest scab ever by skating down some stairs. Chances are, no acquaintance or stranger wants a long, drawn out story about you and your Aunt Myrtle's falling out over some Victoria's Secret underwear.

So, spare us. Please.

Even if you think your story goes with the topic you're discussing, there is no reason for you to have lengthy monologue for it. When it comes to stories, it's best to be concise. Even if someone asks you to tell the story, keep it short. There's no need to speak a biography or pour your life out to someone who may not even care for it.


Element Seven: KNOW WHEN A CONVERSATION IS OVER
This is a very important tip. When it's time to go, it's time to go. Again, read the body language. If the body has been turned away from you or the eyes are looking away, and if he/she isn't uncomfortable (like in Element Three), it's probably time to end to conversation. Some people straight up say, "I have to get going." or "It was nice talking to you." That means "The End".
So, flash a charming smile (if you have one), say "Thank you for your time, and it was great talking to you.", and walk away. Easy as that!
Even if you had a nice, long conversation, you still have to exit eventually. Do the same thing! It's not awkward if you do it right. Exit with some grace.
If you're the one who needs to end the conversation, be polite. A pleasant "It was nice talking to you." will do just fine. It's not premature. It's not awkward. Now, you can walk away with some pride as you just finished a good conversation with your awesome Nia-taught skills. =)


GROUP CONVERSATIONS:
It's a lot easier to participate in group conversations rather than just a one-on-one. The more people in the group, the less pressure on each individual. Awkward silence usually doesn't happen in these types of conversations. The only tip I have for group conversations is stay involved. Don't be the weird person texting (or pretending to text) all the time. Be sure to say something at least every once and a while. You don't necessarily have to be "quick on your feet" in group conversations, so have fun. Take some time, and develop your thoughts, if need be. If you still need help in a group conversation, use the above elements. If you're still struggling, well...that may be a slight problem.

BONUS TIPS!
These tips are like the icing on the cake, the ketchup on the fries, the "+" beside the "A".
Pay attention.

1. Try to be learned. Yes, learned. Pronunciation? /ˈlərnid/. When I say this, I mean that I don't want you to sound asinine. That's embarrassing. One of the best way to avoid asininity in conversation? Don't use words that aren't words. Irregardless? Definitely not. That sounds ignorant. The word you want is regardless. Conversate is not a word. It's CONVERSE! No, not the shoe brand. It's pronounced differently anyways. I'm not trying to offend anyone. I'm simply trying to educate. So yeah, have a good vocabulary; and remember, correct grammar is sexy!

2. This kind of goes with the tip above, because it's another way to avoid asininity. Don't try to discuss topics that you really have no knowledge about. One of the worst things to do in a conversation is deliver a twisted up a story or supposed "fact", thinking it's true. You'll be even more abashed if the subject you're ignorantly discussing happens to be the other person's specialty.
GREEK LESSON!
The word sophomore has two Greek roots: soph, which means wise, and mor (as in moron), which means foolish. Therefore, a stupid person who acts like a know-it-all is said to be sophomoric. Avoid looking like a sophomore. Talk about what you know. There's some insight for you.

3. Do the listener noises. You know what I mean. The mhms, yeahs, ooos, and aahs. It helps move the conversation along, and gives the other person assurance that you're listening to him or her and that you're interested in whatever's being said...even if you're really not.

4. Avoid name-dropping. "So, when I went there, I saw Bill, and he was with Karen. Afterwards, David came out of the blue and spent twenty minutes talking about Helga's ear infection." No. If the person you're conversing with doesn't know who you're talking about, don't talk as if he/she does.

5. The use of jargon is generally meant for the workplace. Why would you converse with a chef by using special words or expressions meant for quantum physicists? Think it through.

6. Common interests are a definite plus and a good source to feed off of. "No way! You play the violin too?!" In this scenario, talk to the person with whom you're conversing about the violin training you've received, your favorite composers, or anything that's good like that. Is this self-explanatory enough? I hope so, because I'm not going further into it.

7. Please remember that a conversation should be an equal effort. Some people don't talk much, and that could be an exception. But notice how I've repeatedly said talk with rather than talk to. It isn't a lecture or a speech. It's a conversation. DON'T HOG THE CONVERSATION. Sharing is caring, so give the other person time to talk and stuff. (This is more of a broad reiteration than a bonus tip.)


I hope you all enjoyed this! Seriously, take this stuff to heart! Keep practicing, and you'll be a pro if you're not already. I get to flex my conversing muscles everyday, but they really got a workout this past weekend when I hung out with a man I barely know; but that's another story... =)

Have a good day!












Pictures' citations: forbesrobbinsblair.com, dreamstime.com, phil-inmotion.blogspot.com

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[Photoshop] Overlay Rotations

Sunday, November 13, 2011

Kali ini Saya akan memberikan tutorial tentang Overlay Rotations.

Pertama-tama kita memerlukan sebuah gambar pemandangan (saya menggunakan pemandangan pantai sebagai objeknya).Lalu klik kanan gambar tesebut,setelah itu pilih Open With > Adobe Photoshop .Kalau belum punya bisa ambil gambar di bawah ini.





 Sekarang kita menuju ke Layer > Duplicate Layer.




Pergi ke Menu Edit > Transform > Flip Horiontal. Selanjutnya Kita pilih Screen pada tab Layer dan Berikan Opacity dan Fill nya 100%.





Dan jadilah seperti ini.


 

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[Photoshop] Membuat Teks Efek Abstrak bergaya Futuristik

Di Tutorial Photoshop kali ini, kita akan membahas bagaimana membuat teks abstract bergaya futuristik. Jenis teks seperti ini mungkin sering kamu jumpai di media-media yang mengangkat kesan futuristik didalamnya, seperti poster film misalnya. Untuk langkah pembuatannya, sangat mudah! Tidak ada tehnik spesial yang akan digunakan, hanya trik-trik standar yang bahkan pemula sekalipun bisa mencobanya. Langsung saja kita masuk kepada step by step cara pembuatannya. Selamat mencoba, semoga bermanfaat!


Langkah 1
Buat dokumen baru, atur lebar menjadi 800px dan Tinggi 600px.


Langkah 2
Isi kanvas dengan warna hitam, kemudian buat teks "BLOGFAIZ" dengan warna putih, saya
menggunakan font Futura, sesuaikan saja ukurannya seperti gambar dibawah.


Langkah 3
Tekan Ctrl+E di Keyboard, sehingga layernya di merge menjadi satu.


Langkah 4
Pilih Filter>Distort>Wave. Atur poin-poinnya seperti illustrasi dibawah, Jika sudah, tekan OK.


Langkah 5
Selanjutnya pilih kembali Filter>Pixelate>Fragment, sehingga hasilnya akan terlihat seperti gambar dibawah


Langkah 6
Pilih lagi Filter>Style>Glowing Edges. Atur poinnya seperti gambar dibawah, klik OK.


Langkah 7
Langkah selanjutnya tekan Ctrl+A lalu Ctrl+C di keyboard untuk mengcopy, lalu Paste (Ctrl+V) di bagian Channel, setelah mengklik New Channel yg berada di sudut kanan bawah (lihat gambar dibawah), Channel baru secara otomatis dinamakan "Alpha 1".


Langkah 8
Kembali ke Layer Palette, klik icon New Layer kemudian pilih Select>Load Selection. Lalu buka channel palette Pilih "Alpha 1", sehingga muncul bagian yang terseleksi (lihat gambar dibawah), isi bagian yang terseleksi tersebut dengan warna putih menggunakan Paint Bucket Tool.


Langkah 9
Berikutnya Ctrl+J (untuk menduplikasi layer) di bagian layer Background sehingga muncul layer background copy, lalu pilih Filter>Blur>Gaussian Blur. Atur radiusnya menjadi 1.5 pixel, klik OK.


Langkah 10
Selanjutnya ketik teks "TUTORIAL" di keyboard, kemudian pilih Filter>Blur>Gaussian Blur. Atur
radiusnya menjadi 0.5 pixel, klik OK


Langkah 11
Buat layer baru, lalu pilih Filter>Render>Cluods, pastikan Foreground Putih dan Background nya hitam, Lalu double klik di bagian layer Clouds sehingga muncul jendela Layer Style, conteng pada bagian Gradient Overlay, atur seperti illustrasi dibawah.


Langkah 12
Ubah Blending Mode nya menjadi Screen dan turunkan Opacitynya menjadi 35 % Lihat hasilnya seperti gambar dibawah


Langkah 13
Masukkan gambar lingkar-lingkar cahaya (Bokeh) yang bisa kamu temukan disini. Sesuaikan ukurannya, klik Enter di keyboard


Langkah 14
Ubah Blending Mode layer bokeh menjadi Soft Light dan turunkan Opacitynya menjadi 85 %.


Langkah 15
Lalu pilih Image>Adjusments>Exposure. Atur pointnya seperti gambar dibawah
 
 
     Hasil
 
  

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Bear Creek Music & Arts Festival: Off The Radar

Thursday, November 10, 2011

The highly reputable Spirit of the Suwannee Music Park in Live Oak, Florida may be getting its biggest event yet this weekend. The hype for 2011 Bear Creek Music & Arts Festival has been building since they announced the initial lineup during last year's installment. A pre-party kicks off today while a frenzy of ticket trading, schedule swapping and last minute travel arrangements have the Florida and South East music community buzzing about what should prove to be a five day party featuring some of the most talented musicians in the land.

Any festival vet will tell you that a top heavy event like this creates the Scylla and Charybdis scenario of choosing who to see during overlapping time slots - tough life, eh? Even more brutish is rolling the dice on an act that no one in your crew has heard or heard of, but yet you have that feeling they might be the one you talk about all year as a jackpot find. Consider this your cheat sheet on what could be that up-and-comer you saw on the side stage with a handful of other fortunate souls.

Zongo Junction 
Campground Stage - Thursday - 2:00 PM
Big IV Amphitheater - Friday - 11:30 AM

Boiling up from Brooklyn's already vibrant Renaissance of sorts, it is no coincidence that world music in the vein of afrobeat is among the many genres being represented by the borough. These guys are as tight as a square knot and can bang out a Feli Kuti cut as good as anyone. If you like layered horns (if you're at Bear Creek, you like horns) and meditation-driven feel good funk music with the uber-pro grit that the Big Apple commands, this is what you need in your life.

The Pimps of Joytime 
SOS Music Hall - Thursday - 9:15 PM
Uncle Charlie's Porch Stage - Friday - 3:15 PM
Instantly danceable and transcending their funk roots to reach into the world of psychedelic synthesis and groove pop, the Pimps prove that it may not be easy, but bringing the friction to the soul of dance shoes is what they are all about. Oh, and don't be surprised when they slap a little smooth calypso or latin rock sensibilities on your face. Whose got the baby powder?

Anders Osborne Trio
Big IV Amphitheatre - Friday - 4:30 PM
No, he of no relation to the half-dead rocker, but certainly has a propensity for shredding and raising hell on stage. Anders Osbourne has been making a name for himself all year, especially on recent ventures out West with a life changing sit in with moe. at Telluride Blues & Brews and a killer collaboration with legend Karl Denson (who will be playing the fest too, so look out for some sit in action) covering the Stones on Halloween. Truth be told, Os may be the most slept on secret the jam rock scene has in its arsenal, but the gig is up and the man is ready to show you how a guitar can scream. I would say don't miss it, but the whole park is going to be blasted by this one. 

Sister Sparrow & The Dirty Birds
Full Sail Stage - Friday - 5:45 PM 
With all the hybrid takes on the spectrum of funk that fulls the gaps at Bear Creek, sometimes visitation rights to the core of the genre is necessary. Lead by a sibling tag team, Arleigh and Jackson Kincheloe mix their soulful superpower of friends and family to produce a cross-coast sound that is a showcase of Arleigh's soaring vocal range and Jackson's elite harmonica efforts. Much like their grandparents, these New Yorkers are ready to take over the Sunshine State.

The London Souls 
Purple Hat Stage - Thursday - 3:15 PM
SOS Music Hall - Friday - 7:00 PM 
Raw, hard and heavy is not just a questionably suggestive statement, but really the best way to paint the picture of what a take no prisoners approach to gritty rock might be for the London Souls. Fittingly named, the band reincarnates that missing bit of heaviness that came across the pond and changed the world. That might be the only thing they fit as their sound switches from blues to punk, and will be a welcomed change of pace for the musically attention deficit.

Of course, you could just chase the headliners and you won't see one less than stellar note of music all weekend. See you on the front lines! 

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Point Forward Day - MJF:20

Tuesday, November 8, 2011

Hello, fellow humans!

I simply wanted to show my support for Magic Johnson’s "Point Forward Day" that took place today, November 7, 2011.


20 years ago, Magic Johnson, at the prime of his basketball career, made a bold move and told the world about his HIV status.

This year also marks the 20th anniversary of the Magic Johnson Foundation. To celebrate this milestone, the foundation is launching a twelve-month program of special events and activities for what will be called MJF: 20.

Most people only know about the foundation’s hand in HIV awareness, but I wanted to shed a little light on the rest of foundation’s work. HIV awareness is very important, but the foundation does more than that.

It also has Community Empowerment Centers, which gives children and adults access to computers and the training they need to compete in today’s technology-dependent world.

There is another thing that MJF does that is pretty close to me. The foundation has something called the Taylor Michaels Scholarship Program, and that gives financial support, leadership development, and mentoring to hundreds of college students each year. Some of you know that I happen to be one of those college students, and I’m telling you...the program has helped me immensely with being ready for college and life...and so on.

If you want to read up and figure out more about the foundation, visit www.magicjohnson.com/foundation.

Oh! When you go to the site and watch the video that automatically pops up, you'll see me in there if you pay attention...but that's irrelevant. =)

It would be more than awesome if you could DONATE to the foundation.

You could text “Magic” to 80888. Or, you could visit www.magicjohnson.com/foundation to donate online.

Tell your family! Tell your friends! Tell your neighbors! Tell your co-workers!

If you’re broke, at least be a little publicist by tweeting this, making a Facebook status, or saying something about this on MySpace...if you’re still on that bloody thing.

Type this up on your blog: blogspot, tumblr, wordpress...whatever you need to do to SUPPORT! SUPPORT! SUPPORT! That would be awesome.

That’s about it! Hope you have an amazing day!

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Beginilah Cara Hongkong Memberantas Polisi Korup Hingga Sukses Sampai Sekarang

Sunday, November 6, 2011

Kata "korupsi" memang bukan hal yang asing lagi di telinga masyarakat Indonesia.Bahkan seperti makanan sehari-hari yang setiap hari tersaji di dalam berita.Indonesia yang masih berjuang dan tampaknya perlu keberanian seorang pemimpin untuk memulai sebuah perang melawan korupsi ini.

Jika Dibandingkan Korupsi DiIndonesia sekarang sama Hongkong Ditahun sebelum 1977, Indonesia Belum Ada Apa-Apanya..Sampai-sampai supir ambulans pun tak mau Antar pasien sekarat jika belum mendapat “uang teh” terlebih dahulu!

Saking Akutnya Korupsi di Hongkong, 99,9% anggota polisi dan Jaksa terlibat dengan Mafia dan tindak Kriminal..

Akhirnya pemerintah negara itu pada tahun 1974 melakukan langkah drastis yaitu semua polisi dan jaksa di negara pulau itu dipecat tanpa kecuali!

Pemberantasan korupsi di Hongkong puncaknya terjadi tahun 1973. Sebelumnya, usaha pemberantasan korupsi ini sudah dilakukan beberapa kali namun selalu gagal, dan sudah banyak korban pula yang berjatuhan. Nyaris tak ada polisi, jaksa dan hakim baik panjang umurnya di negara pulau itu jika berani melawan korupsi.

Benar-benar seperti cerita perang antar mafia di film-film Hongkong, saling tembak dan saling bunuh di jalanan. Bagaimana bandit-bandit di Hongkong kala itu bersekongkol dengan polisi menguasai dan berbagi "wilayah" operasinya, untuk pelacuran, penjudian dan narkotika. Bahkan merampok bank dengan senjata dan personil kepolisian juga sudah biasa terjadi. Luar biasa memang.

Saking parahnya dunia korupsi di kepolisian Hongkong, istri dipakai atasanpun tidak bisa menolak!

Usaha yang berhasil dalam soal pemberantasan korupsi di Hongkong pada awalnya digagas oleh seorang polisi baik, yang mendapat dukungan penuh dari pemerintah kolonial Inggris, yang ketika itu tentu saja pusing tujuh keliling menghadapi jaringan kerja sama antara koruptor dan mafia kuning.

Bisa berhasil diatasi, tentunya faktor yang cukup menentukan adalah Gubernur koloni Inggris di Hongkong ketika itu, Sir Murray Mac Lehose (1971-1982) termasuk seorang pemimpin Hongkong yang keras dan berani ambil tindakan tegas. Dan jelas dia tidak terlibat dalam persekongkolan mafia yang terjadi. Tak lama setelah ditunjuk sebagai Gubernur, dia mencanangkan dua tahun masa jabatannya adalah bertempur dengan korupsi ! Dan itu tidak sekedar dia pidatokan. Dia langsung bertindak !

Usahanya itu membutuhkan aparat yang bersih dan berwibawa. Dan dia dibantu oleh sejumlah polisi baik bermental baja yang rela bertarung nyawa dengan mafia pengadilan. Sejumlah "polisi gila" yang punya nyawa cadangan benar-benar melakukan perang terhadap mafia Hongkong tersebut. Semua polisi baik itu berada langsung di bawah komando sang Gubernur ! Kepala polisi pun tak bisa apa-apa dan mafia-mafia Hongkong kalang kabut.

Dari pihak pemerintah Hongkong sendiri, usaha ini ditunjang pula dengan berbagai tindakan yang sama-sama gilanya. Extra Judisial. Yang paling drastis ya itu tadi : memecat semua aparat polisi, jaksa dan hakim di seluruh Hongkong, diganti sementara dengan polisi, jaksa dan hakim dari India dan Australia. Berbarengan dengan itu Hongkong melakukan perekrutan polisi, hakim, dan jaksa baru yang diseleksi dengan sangat ketat.

Bukan hanya aparat penegak hukumnya saja. Petugas administrasi yang bekerja di semua kantor polisi, jaksa dan hakim juga dipecat. Diberhentikan. Semua dengan pesangon yang cukup. Lebih dari separoh APBN Hongkong dipakai untuk memberikan pesangon bagi mereka.

Lantas kepada polisi, hakim dan jaksa yang dipecat dan terindikasi korupsi itu ditawarkan untuk pergi dari Hongkong, dengan jaminan tidak akan diusut, dan harta hasil korupsinya juga tidak akan dirampas oleh negara.

Tetapi kepada mereka yang memilih tetap tinggal di Hongkong akan diusut. Jelas yang berani dan punya nyali untuk tetap tinggal di Hongkong hanya yang benar-benar bersih saja. Yang merasa tangan dan kantongnya berlumuran harta hasil korupsi kabur ke luar negeri.

Mantan Polisi, hakim dan jaksa tersebut sebagian besar kabur ke Kanada, dengan membawa semua harta haramnya, tersebar di beberapa China Town di kota-kota besar. Pemerintah Kanada memilih menutup mata terhadap latar belakang mereka, asalkan mereka membawa uang yang cukup besar yang diperlukan untuk membangun Kanada.

Anehnya, para mafia tersebut di Kanada tidak berani berbuat onar, hanya menguasai lingkungan China Town saja. Sampai awal tahun 90-an, sekitar 17 tahun sejak berhasilnya pemberantasan korupsi tersebut, mulailah perilaku aparat hukum berubah. Sogok-menyogok tak ada lagi karena ketahuan sanksinya dipecat!

Hanya saja kelakuan masyarakat Hongkong yang selama puluhan tahun hidup dalam cengkeraman mafia, masih belum bisa secara total merubah kebiasan buruknya. Tipu-tipuan dalam bisnis berlangsung terus, terutama kepada para turis yang mampir ke Hongkong. Tak terhitung banyaknya orang Indonesia yang tertipu di Hongkong, mulai dari tipuan dalam hal pengobatan, ditakut-takuti agar membeli obat yang mahal-mahal, sampai tipuan barang dagangan seperti barang lama dikatakan model terbaru.

Tetapi karena polisi, jaksa dan hakimnya sudah bersih. Perilaku macam begitu tidak dibiarkan begitu saja. Dan pebisnis Hongkong yang nakal itu kena batunya. Disidik, diajukan ke pengadilan dan dijebloskan ke penjara tanpa ampun. Menyuap atau mencoba menyuap? Hukumannya langsung dilipatgandakan ! Tidak ada ampun. Tidak ada belas kasihan.

Kemudian tahun 1974 Gubernur Mac Lehose membentuk ICAC (Independent Commission Against Corruption) yaitu lembaga semacam KPK yang ada di Indonesia. Hasilnya, masyarakat Hongkong mulai teratur dengan tegaknya hukum, menjadi satu masyarakat yang hidup didalam jalur ketentuan hukum yang ada. Orang bilang sejak itulah Hongkong ekonominya maju pesat.

ICAC juga telah mendata lebih 99% Polisi terlibat kriminal dan korupsi, jika diberlakukan hukuman formal, seluruh polisi akan dipenjara, namun pemerintah hongkong memberi pemutihan hukuman, hanya polisi yang telibat kriminal diatas tanggal 1 Januari 1977 aja yang di bawa ke meja hijau.

Di Indonesia, usaha pemberantasan korupsi baru tahap permulaan, baru menyentuh kulit2nya saja yang tentu masih sangat jauh untuk sampai ke inti permasalahannya. Belajar dari pengalaman Hongkong yang baru berhasil setelah pemerintah bertindak dengan tangan besi, tampaknya kita harus menunggu sampai beberapa kali pemilu lagi, sampai kita menemukan pimpinan negara yang benar-benar bertangan besi tapi bersih dan benar-benar membela rakyat. Bukan pemimpin negara yang cengeng dan minta dikasihani !



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Nuttin' But Stringz

Thursday, November 3, 2011

Earlier this week, as I was jammin' to some Regina Carter and Yo-Yo Ma, I realize something. I hadn't listened to a violin duo by the name of Nuttin' But Stringz for a long time! That quickly changed, and I decided I should share some of their awesomeness with you all; plus, it's been a while since I've given you all a Music post.

Taken from nuttinbutstringz.com:

"Siblings Tourie and Damien Escobar are the creative geniuses behind the innovative group 'Nuttin But Stringz'(NBS). The brothers grew up on the rough streets of Jamaica, Queens but found a way to escape the adversity that many of their peers fell victim to, by having the opportunity to play an instrument that would become to them a way of life. At the respective ages of 8 and 7 the pair began to study the violin and became not only great musicians but learned to transcend their classical training to incorporate pop, rock, and hip-hop, creating their own unique sound. Having studied at the acclaimed Juilliard School in New York City, the two were exposed to Bach, Vivaldi, Beethoven, and a host of classical composers. Due to their broad range of musical influence between school and home, their style is impossible to pidgin hole or label as suitable for only one genre.

This dynamic duo have grown immensely as artists from their earlier days as young teenagers, playing on the subways to help their single mother to take care of them. "We would play the trains and hold a captive audience, sometimes making up to $300 in a few hours" says older brother Tourie; "The subway was the equivalent of playing several performances in the space of a few hours. We did this every week and it gave us invaluable experience to prepare us for what was to come" adds Damien. What was to come for Nuttin But Stringz was a journey that would see them reach multi platinum status on their debut album, win two Emmy Awards, Grammy nods and a spot on numerous talk shows including The Ellen DeGeneres Show, The Tonight Show with Jay Leno, The Today Show with Katie Couric and more. They have been featured in the Major Motion Picture 'Step Up', America's Got Talent (2nd place season 3) and played shows with legendary artists Al Jarreau, Patti LaBelle, Chaka Khan, and The Isley Brothers to name a few.

In 2006 Nuttin But Stringz released their debut album, aptly named 'Struggle from the Subway to the Charts' marking a transitional period for them on their voyage to becoming men and respected musicians. Their elevated success has truly been a rollercoaster ride with amazing highlights already encompassing their self written and produced song 'Thunder' (off their first album) being used on both commercials and film, to performing at the inauguration ball for President Barack Obama.

Along with their success, these inspiring artists have worked with numerous charities to give something back, especially young children. Tourie and Damien make no secret of the fact that their love for the violin was their route out of a life that could have lead to self destructiveness in which either one of them could have ended up imprisoned or dead...

These cool, edgy and unique brothers have stayed true to their own style of music that has taken them from playing their violins on the subways of New York to headlining shows across the United States and Worldwide."

I think the whole album is pretty good, but I decided to share these two songs with you: "Broken Sorrow" and "Thunder".





I know that the tracks have more than simply the violins playing, but they're still pretty awesome, right?!

I've been a fan of these two men for a while now. I remember getting their album some time ago, and I'm eagerly waiting for another one. Being a violinist myself since the age of seven has affected my appreciation of these guys as well. There has been many a time where I have played "Broken Sorrow" or other songs from their album whilst listening to it. It's amazing, and it's great to be challenged by these talented young men.

So, tell me, WHAT DO YOU THINK ABOUT THEIR MUSIC?

You can buy their album, "Struggle from the Subway to the Charts", HERE. You can also buy their exclusive single, "Winner", HERE.

To learn more about NBS, their news and current events, or anything else, feel free to visit nuttinbutstringz.com

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Fitz and The Tantrums 2011.11.01 Culture Room Fort Lauderdale, FL

Wednesday, November 2, 2011

Re-post from my show review for The NewTimes Broward/Palm Beach found here.

Live: Fitz and The Tantrums at Culture Room, November 1

Categories: Concert Review
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Photo by Adam E. Smith
Fitz & the Tantrums
Culture Room, Fort Lauderdale
Tuesday, November 1, 2011

Better Than:
  Almost anything that calls itself "soul" these days.

Nearly 3,000 miles from their native city of Los Angeles, Fitz & the Tantrums made their Fort Lauderdale debut to a packed house at the Culture Room. Channeling the soulful funkability of Detroit's Motown swagger, front man Michael "Fitz" Fitzpatrick brought an undeniably pure vocal presentation, and all the right stage presence mojo to the live setting. He is but one part of the whole. Vocalist Noelle Scaggs and saxophonist James King were also instrumental in working the crowd and nailing track after track all night. They like to show off and that kind of behavior was encouraged. 

The Tantrums' debut record Pickin' Up the Pieces is a series of single-worthy hits that stay in the same nu-soul vein, but also pump out original, highly contagious pop characteristics. The kind of tunes that get stuck in your head, but you don't seem to mind. Almost everyone knew the words to each song, and the fast paced set used the album in its entirety. Because of this the live show had virtually no down moments. Hell, there wasn't even time to breathe. 

The real appeal for catching the sextet from California is the raw kinetic ardor that pours from the stage. Fitz and Noelle never stopped dancing and working the floor, and it compelled the crowd to periodically wave their hands, jump up and down and shake their asses -- sometimes all at once. These guys aren't a one trick pony limited to just the song structures. They proved this with countless groove breakdowns, a vocal duel layered over a flute solo during "Picking Up the Pieces," and a stunning saxophone solo in the middle of "L.O.V." that compelled Fitz to jump off the drum platform and land behind Jeremy Ruzumna"s keyboard. He proceeded to stay there and peak out the full band jam. The lost art of showmanship has returned with this crew and they have the choreography and musicality to back it up. 

The new songs, "6 AM" and "Love Sick Man" showcased the creative direction the band is moving, while well executed covers of The Raconteurs' "Steady As She Goes" and Eurythmics' "Sweet Dreams" demonstrate the band's diverse influences that mold their unique sound. Over 200 concerts this year alone has not slowed them down at all. Their intentions are pure, and you can tell as they put work into promoting the music they create. As the encore came, the Tantrums saved the best for last. Fitz directed the crowd to boogie down to the crouching position during the "Moneygrabber." When the chorus dropped back in the whole room exploded with wildly jumping fans. A perfect ending to one of the best inaugural performances South Florida has ever seen. 
 
Critic's Notebook

Random Detail: Fitz is the only white guy to make the "running man" dance move look good.  

The Crowd: A lively mix with pockets of dance-inclined patrons that kept the vibe and the energy high. Fitz and Noelle vocalized being pleasantly surprised by the great turnout and positive response after each song.

Personal Bias: This was my second chance to see the band this year. I would have to say the hype is real and that this is one of the hottest shows of the year. 

Setlist 
Don't Gotta Work It Out, Winds Of Change,  Breakin' The Chains of Love,  Wake Up, Pickin' Up The Pieces, Rich Girls, 6 AM, Tighter/We Don't Need..., Love Sick Man!,  L.O.V., Steady As She Goes,  Dear Mr. President,  News 4 U 
E: Sweet Dreams, Moneygrabber


Follow County Grind on Facebook and Twitter: @CountyGrind. 

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Interview with Noelle Scaggs of Fitz and The Tantrums for The NewTimes Broward Palm Beach 2011.11.01

Tuesday, November 1, 2011

Re-post from my interview for The NewTimes Broward/Palm beach found here.

Fitz & the Tantrums' Noelle Scaggs: I'm Inspired by My 7-Year-Old Niece

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Los Angeles' Fitz & the Tantrums offer up a grassroots success story built on unadulterated creativity, elbow grease and and just the right amount of luck. All systems were a go after the practice session in late 2008, and the band played their first gig just a week later. Six months into it, they were on tour with punk powerhouse Flogging Molly. Slots at major U.S. festivals such as Lollapalooza and Telluride Blues & Brews and an itinerary of near 200 live appearances since January has contributed directly to the band's mounting success.

Their sound is pleasantly nostalgic, yet maintains a necessary fresh flare of neo-soul and futuristic lounge. In the live setting, frontman Michael "Fitz" Fitzpatrick executes showmanship reminiscent of James Brown, but with the presentation of Robert Smith and the sincerity of his indie pop counterparts. The rest of the Tantrums' outfit defy their backing band nomenclature and showcase a thematic equal opportunity approach to the universal get down.

Noelle Scaggs, sultry vocalist, tambourine shaker and personification of a new age for soul music, connected with County Grind from her home in L.A. to talk about the band's unique road to success.

County Grind: You guys have been on the road non-stop for the past year it seems. How are things going out in California now that you are getting some time at home?

Noelle Scaggs: Things are good here, nothing too crazy, just getting ready for the first date of the tour in Charleston. This one is going to be a long haul. So other than a couple one off shows around here it has been nice to just be home and catch up on life things.

The band's story is pretty unique in that you rehearsed one time and had a gig the next week. What was the selling point for this music project initially that enticed you enough to see it through from the beginning?

When I first heard the project I was really attracted to the sound. It was something that wasn't really familiar in the spectrum of not being exactly Motown or something from the '80s. It had a really cool mixture and a more modernized feel. I was also really attracted to Fitz's singing voice and the vibe that he was trying to create. When we initially talked about doing the show I was in an in between phase of whether or not I wanted to join another band, do a solo thing, or maybe not even do music for awhile to focus on other things. I ended up doing the rehearsal and that pretty much solidified it for me.

So even though you knew most of the musicians in the room, it was almost a love at first sight type of situation in reference to the sound?

It was like I was walking into a room with a bunch of friends. It was actually my first time meeting Fitz, and that was also the case for everyone in the band other than [saxophonist] James King. James was pretty much our connection, and I had enjoyed playing with him over the years, so I really knew the caliber of musicians I was going to be involved with. After we did the first show the feedback from people made us want to continue. We really just loved playing music and performing with each other. That is how it all began.

Did you have a feeling that the band would ever be at the point you are now?

No, we had no idea. I was really just going for it and because it was so easy vibe-wise, and creatively we were all on the same page, so that made it even easier to continue doing it. Even when things got harder for us financially we still decided to see it through because we knew there was something special here that we had not felt with other projects. Everything seemed to align itself and we realize the serendipity of every moment, like being asked to go on tour with Flogging Molly after only six months of playing, and getting a deal with Dangerbird Records when were on our last leg financially. From there we have just been trying to gain as many fans and make as much noise as we can.

Much like how the band came together for the first rehearsal and then played your first gig a week later, you guys have been gaining lots of momentum in a very short amount of time. With all the hard work, how do you balance that out?

If you are trying to maintain some sense of a regular life you have to stay connected to home as much as you can. Because we are all friends, it makes it a lot easier for us when touring life becomes difficult. I don't think anyone in the band expected us to be gone as long as we have been. We had no idea we were going to end up touring for the last 14 months, so it becomes important to have an environment where we can communicate. That has been a key element of making it through this experience as a band. The consolation is that it is a tough life to live but it is also really fun and inspiring. Every day I get joy from performing live and watching our fans feel inspired enough to just let go for an hour or two. That is moving.

Have you had one of those moments where you stepped back and realized you have made it to this point?

Yeah, they happen every day (laughs). The biggest thing for me was going to Holland and playing in front of sold out crowds the first time we had ever gone there. We also went to Italy and came back a week later and found out we were in the top 10 of all Italian radio. When we came back from there we played Lollapalooza to a crowd of 30,000 people. Everyone there was singing and really into the music from song one. That moment for me, stepping on that stage, and seeing their reaction was a beautiful thing. At that point everyone in the band realized all of the work we had put in the last two years was really flowering.

Fitz and the Tantrums are reminiscent of classic genres, but with a fresh approach, what was the initial inspiration for tackling that sound in particular?

When Fitz wrote "Breaking the Chains of Love," and then collaborated with James King, I think they were building off the concept of things they had listened to growing up. That also built on top of what Fitz had created in those first 20 minutes it took him to write that song. Looking at the '60s as one of the best periods of song writing, with songs that still stand the test of time, when we started recording the full record we wanted to focus on balancing simplicity with the complex nature of what we were doing. We didn't want to be a carbon copy of anything we were inspired by. We started playing together early on it so it made it that much easier to develop strong songs that could really stand on their own.

What inspires your music beyond music itself?

A lot of the things that come out of me lyrically adhere to my relationships in subjects like love. Love, or the lack of, plays a big part. That isn't just romantic love, but also love that you might get from talking to a child. A lot of joy and inspiration for me comes out of something like speaking to my seven-year-old niece. For me in general it is about focusing on the little moments in life that happen. That way people can identify with them. I am in turn inspired by individuals and I think that comes out in my music.

Any new material on the horizon from you guys?
We were actually in the studio last week cranking out some ideas. While we are on tour, and when we get back, we will probably do a lot of writing as well.

Fitz & the Tantrums are finally coming down to Florida. How do you feel about tackling a new territory?

We are really trying to get the word out down there. I have a lot of friends in Orlando, Fort Lauderdale and Miami so they are all excited that we are coming. We are excited about coming. I hope we are well-received.

Fitz and The Tantrums perform at 7:30 PM Tuesday, November 1st at Culture Room 3045 N. Federal Hwy., Fort Lauderdale. Tickets cost $20. Call 954-564-1074, or click here.

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Brandon Paul Zombie Art Show 2011.10.28 Arts Garage Delray Beach, FL

Re-post from my story for The NewTimes found here.

Brandon Paul Zombie Art Show, Pub Crawl in Delray Beach

Categories: Nightlife
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The second-annual Delray Beach "Night of the Drinking Dead" Zombie Crawl kicked off on Saturday night with a zombie prom at the Arts Garage. The decked-out room housed amazing works from artist Brandon Paul as the backdrop for mingling under ambient lighting and all-things-zombie themed decorations.

We are talking about a 12-foot, larger-than-life sized arm rising from the ground to the ceiling, sweeping tapestries, and a baby grand piano with more arms reaching out of the grave. Beers were cheap and the crawlers steadily made their way into the hall for some dance music and pregame art spectating. Many of them took the costume side very seriously and almost everyone was fitting the half-dead motif.
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Brandon Paul showed up with his crew and talked to an inquiring enthusiast about his dozen or so pieces. A few interested people even dropped some dough and bought the works right off the wall. Having transplanted from South Carolina with his girlfriend, Nico, the design mind behind 2611 clothing, Paul has been contributing to the local art scene dating back to the Aura Music & Arts Festival in January. Since then, things have found a way to fall into place for the creatively inclined duo. Now the hard work is starting to pay off.
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Paul's twisted approach to zombie art depicted a more modern take on a postapocalyptic world. Rather than appealing to simple blood and brains facets of the niche subject, the emotion and sociopolitical connotations of an existence between life, death, and decay are strongly emphasized in his impressive collection. The contrasting beauty of his trademark female depictions and the rawness of survival in a threatening world are cohesive and tell a story both as individual works and a collection.
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Although not working with his typical choice of subject, Paul and his attention to detail and emphasis that define his style made even dead look sexy. As the pregame session à la prom came to a close, it was only the beginning for the partially deceased mob. The quest for booze would replace blood and take the stumbling crew to Dada for a Creep House, a dead-rock-star party at Delux, and finally an apocalyptic bunker party at Kevro's Art Bar. Truly a zombie lover's dream come true.
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Artist Brandon Paul (on right) and crew.


Follow County Grind on Facebook and Twitter: @CountyGrind.

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